Monday, July 11, 2011

We are Baby Got Books interview. And we are most happy.

We very much love the Baby Got Books and we are most happy to be Baby Got Books interview. So big thanks for that Baby Got Books, and drinks on us, for sure, when next we meet.

Wow. Lots to check out there. And you’ve been busy yourself. Since we began this interview, a review copy of your next book My Father’s House has arrived in the mail. From what I’ve been able to check out so far, it has a much different feel than You Can Make Him Like You. Can you tell us a little about My Father’s House? Anything else in the works you want to tell us about?

BT: Sorry, still feeling guilty about that last question, one of the many problems with being a fanboy. And yes, there has been some busyness, which also makes me feel a little guilty, though it may be self-consciousness, I will look that up. But with My Father’s House I think there is a different feel in two ways. First, and especially with the last couple of novels, I have been trying to tell humorous stories about relationships in a pop culture saturated world with layers of pain, coping and confusion lying closely below the surface, and with My Father’s House, a story focused on a character losing his father, I flipped this approach, and so it is more overtly about pain, coping and confusion, with the humor and pop culture is lurking just below the surface and serving as a sort of salve for both the characters and readers. I would also say though that I have been trying to emulate the music of the Ramones and the recent movies by David Cronenberg in my writing, tight, intimate, punchy, funny, and violent scenes that come fast and propel you into the next scene or chapter, and with this book I decided to tighten that approach up even more, so more sparse, quick and insular, and more like how I see the actual experience of living through some one’s death. In terms of what else may be in the works, and at this point more self-consciousness abounds, I have a collection of humor pieces coming out at some point this summer titled This American Life and I am working on my first science fiction joint, similar themes to my previous work, though more focused on work and the intersection of work and family, albeit in a not so distant Chicago where work is hard to come by, life on Mars beckons and the drugs are mostly synthetic.

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